Harry Smith Movies

Hand-painted 35 mm stock photographed in 16 mm, color, silent, 2:20 or 5 min. Initially intended to be screened with and synchronized to Dizzy...

16 mm, color, silent or mono, 1:30 or 20 min. Untraced red-green anaglyph 3-D film.

Experimental short. 16 mm, color, silent, 2:30 or 6 min. Sequel to No. 4.

Hand-painted 35 mm stock photographed in 16 mm, color, 2:15 or 10 min. Initially intended to be screened with and synchronized to Dizzy Gillespie's...

“Harry Smith visited my apartment on East 3rd Street, New York City, April 1987. Harry told someone calling him he was at “a secret...

16 mm, color, 10 min. Untraced collage.

16 mm, color, silent, 5:25 or 15 min. "Optically printed Pythagoreanism in four movements supported on squares, circles, grillwork, and triangles...

16 mm, black & white, silent, 5 min. Untraced collage. Later expanded to No. 12.

In 1980, Harry Smith combined his two Wizard of Oz-related films (FILM NO. 16 and 19) and called the new work FILM NO. 20: FRAGMENTS OF A FAITH...

16 mm, black & white and color, 2:16 or 6 min. Silent though possibly intended to be screened with Dizzy Gillespie's Manteca. The film starts...

A pilot for a documentary film capturing life at the Chelsea Hotel in the early 1970s. The film was never finished due to budget issues. 'A...

Hand-painted 35 mm stock photographed in 16 mm, color, 3:20 or 10 min. Reportedly cut down from about 30 min. Initially intended to be screened with...

16 mm, color, silent, 10 min. Animation of Seminole patchwork.

Features Thelonious Monk's Misterioso. Extended version of No. 11 printed forward-backward-forward.

Jonas Mekas visit. Harry comes by before Ricky visit. 1. 12 p.m. April 15th -- Jonas dares to come by but won't talk. I tape him not with set up --...

His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until...